{"title":"LPs","description":"","products":[{"product_id":"violence-creeps-soul-narc-lp","title":"Violence Creeps- Soul Narc LP","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2055617447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;lt;a href=\"http:\/\/digitalregress.bandcamp.com\/album\/soul-narc\"\u0026amp;gt;Soul Narc by Violence Creeps\u0026amp;lt;\/a\u0026amp;gt;\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDigital Regress (07)\u003c\/p\u003e\n\u003cp\u003eAfter circulating a slew of demo tapes, flexis, and a 7\", Violence Creeps have put together their first proper full-length record set to hit the streets October 1st via Digital Regress. As one of the few remaining stalwart bands of Oakland dating back to the pre-brunch era, VC offer up an album set to make the skin crawl of anyone gearing to work at the future-monolith 19th street Uber Headquarters.\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":29749943058,"sku":"150","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/Untitled-1.jpg?v=1485724113"},{"product_id":"unity-s-t-lp","title":"Unity- S\/T LP","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=961056725\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;lt;a href=\"http:\/\/digitalregress.bandcamp.com\/album\/unity\"\u0026amp;gt;Unity by Unity\u0026amp;lt;\/a\u0026amp;gt;\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDigital Regress: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAfter releasing countless self recorded demo tapes, Unity have finally fleshed out their debut full length record and laid it down on recordings that do the songs justice. Featuring 3\/4 of Meat Market, Unity play garage-inflected pop songs. Pressing of 500 records with all jackets hand-screened by the band, pre-orders come with hand-screened posters by artist and musician Jeffrey Cheung. Ships July 25th. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Digital Regress 06)\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":29919089170,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/R-8902523-1485096295-4050_jpeg.jpg?v=1495003855"},{"product_id":"mane-alpha-female-lp","title":"Mane- Alpha Female LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e(DR13)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDebut LP from SF\/ Oakland's Mane. This all-female Post-punk\/ goth band create an atmosphere that lies somewhere between dread and wonder, with swirling vocal harmonies reminiscent of former Bay Area band Grass Widow, and a taste for dysphoric tenor that rivals Bauhaus. Tech-fueled displacement, masculine aggression, existential dread: it's harder than ever to survive in the Bay, and Mane vocalize this struggle better than anyone. Pressing of 500 with 100 on opaque violet vinyl. Stream the Video for \"The Cage\" \u003c\/span\u003e\u003ca href=\"https:\/\/vimeo.com\/215808041\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ehere\u003c\/a\u003e\u003cspan\u003e. Read an interview with Mane \u003c\/span\u003e\u003ca href=\"http:\/\/www.imposemagazine.com\/bytes\/chatter\/week-in-pop-parlor-walls-matt-maltese-the-fatty-acids-luke-sweeney-the-anatomy-of-frank-sarah-p-threefifty-ha-ha-mart-mane-the-tablets\/3\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ehere.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e*COLORED VINYL STILL AVAILABLE*\u003c\/p\u003e\n\u003cp\u003e**Comes With Download code**\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/326917955\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Lavender Vinyl","offer_id":38710996370,"sku":"","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":40676457106,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/mane_final3.jpg?v=1500310627"},{"product_id":"jackson-politick-paste-v-1-lp","title":"Jackson Politick \"Paste V.1\" LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eHabit, This Town, Fear (Is A Jerk’s Best Friend), Learning To Live With It, Hooked On A Feelin’, Sex \u0026amp; Pity\u003cbr\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eI Get Carried Away, Is Oliver Depressed, I Am A Raver, The Hours\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFull color heavyweight glossy jacket, artwork done by Erik Nervous, risograph insert and DL code\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/neckchoprecords.bandcamp.com\/album\/paste-vol-1\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003e\u003cstrong\u003eLISTEN\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWhen it comes to rock music worthy of the titular “outsider” label, being embellished in enough surprisingly-sensical idiosyncrasies to separate the sound from a more straightforward style, history has shown time and time again that you can’t go wrong with someone like\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndy Jordan\u003c\/strong\u003e. Serving as a frontman to the ever-swoonworthy\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndy Human and The Reptoids\u003c\/strong\u003e, as well as the semi-lucid guitarist to Oakland’s\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe World\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-- another post-punk n’ funk band that lies beyond the realm of normalcy --, there exists an Andy-bred solo project that toys with conventions similar to those explored in both these projects; and no, it isn’t\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“Andy Human”\u003c\/strong\u003e, which is his other solo project. Of course, the solo project at hand is none other than\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJackson Politick\u003c\/strong\u003e. Save for the single name attached, the band is about as cryptic as any other self-released punk cassette. It’s driftless, sporadic, and oftentimes frenzied, coursing through an array of subgenres during its 27 minute runtime. Contained within this eclectic collection of punk-tinged chunes are lulling, generally low-energy jams spotted with light, fuzzy, sparkly melodies and charming instrumental arrangements, a lo-fi auditory soundscape sheathed in summery vibes, all ruptured by an occasional stint of fiery guitar licks and pulsing drumbeats more oriented towards punk territory. This sort of variability, this spirit, this free-formed attitude, all elevate this album into something that’s so helplessly charismatic. It’s much more than gimmicky stylizations made to pander to the lowest common denominators of rock and roll fiends, or overly-sugary ballads made to rot your ear canals with earworms as shallow as your average Hallmark card. It’s just... smart.\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":3200823296040,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/jackson_politick_1024x1024_09de1a8d-d1f0-4b8e-9dd1-2e2461844e43.jpg?v=1513024607"},{"product_id":"snob-s-t-lp","title":"SNOB- S\/T LP","description":"MUS160 SNOB - S\/T LP SNOB has snarled around the local London scene since 2014, leaving a trail of two self-released 7 inches and adulation in their wake. It’s now the year 2018, and SNOB finally bring us their fully fledged follow up of tense hardcore punk that’s characterised by frantic snotty dictation, agitated guitar lines and pummelling rhythms. The ten songs on the self-titled 12” are filled with disparities – sneering hi-energy, sentient meat and potato, adroit silliness, agitated apathy – creating a bleak and angry sonic force. The whip-smart whip-short lyrics are almost a poetry-to-arms that rails against all of the absurdities of modern living. To these ears, SNOB is like if you left YouTube tabs of ICONS OF FILTH, PENI, NOG WATT and JETSET\/ BLOEBAD all playing at once, and it somehow sounded wonderful. The LP comes in a heavy board sleeve designed by the exiled Ben Fordree while on the run in Australia and includes a lyric sheet to help you sing along to modern classics like Doctor Dildo, Lycra Daddy or Punisher.","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":3922796740648,"sku":"","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a3014073683_10.jpg?v=1521672386"},{"product_id":"runt-positions-of-power-lp","title":"RUNT- Positions of Power LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMUS164 RUNT - Positions of Power 12” \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBased between London and Sheffield, and with a lineage as incestuous as the UK scene, RUNT bring us a monumental follow up to their cassette tape from last year. RUNT are total aggro primitive punk built on furious spit and stomp, snarling electric agitation and primal clattering. Each track is short, angry and on the edge of falling apart at any moment. Yet it never does. Ash's vocals are totally confrontational and in your face while the (a)rhythmic section of Jyoti and Ralph pulverise anything in their way, laying the path for Alex’s guitar to slowly build up the sound of city-living anxiety. It has an obvious nod to early Crass Records releases but mixes it with something more modern and definitely more nihilistic. Favourite track and B side opener “DWP” sounds like a 2018 “Do They Owe Us a Living” and synthetize the band perfectly. A confrontational, forward-thinking underground sound escaping the tick inside the box current state of punk. \u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":3922813157416,"sku":"","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a3731456768_10.jpg?v=1521672614"},{"product_id":"marbled-eye-leisure-lp","title":"Marbled Eye- Leisure LP","description":"\u003cp\u003eDR21\u003c\/p\u003e\n\u003cp\u003eWe are thrilled to announce the debut LP from Oakland's \u003cstrong\u003eMarbled Eye\u003c\/strong\u003e. Following in the same vein as their first two EP's, playing sharply detached staccato post-punk with call-and-response guitar interplay, the band manages to expand upon and refine their sound making \u003cem\u003eLeisure\u003c\/em\u003e their strongest release to date. Available in Europe through \u003ca href=\"http:\/\/erstetheke.de\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eE.T.T.\u003c\/a\u003e, This first-time pressing is limited to 1,000 copies on black vinyl. Includes download card. \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3057196056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/digitalregress.bandcamp.com\/album\/leisure-lp\"\u003eLeisure LP by Marbled Eye\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":12239317532745,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/MarbledEyeLeisureLPJacket_Digital.jpg?v=1532484325"},{"product_id":"no-statik-mysterious-to-ourselves-lp","title":"NO STATIK - Mysterious To Ourselves LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eNO STATIK - Mysterious To Ourselves LP w\/download (LUNGS-111)\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eThe tumultuous and ever intense NO STATIK are back with 8 furious hardcore tracks and 3 deconstructed soundscapes dealing with the anxiety of feeling incomplete, forward movement and total chaos. We as people are never complete. Even when we die there are parts of ourselves and our lives that are left less refined that we would prefer. Sometimes we don't know where we are going or what the fuck is happening to us but every once in a while there are little indicators or even outside forces helping us to grow and to move along to the next stage.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eLife is ugly, sparse and bold. Let this LP be an indicator for you. A navigation point to help get through the mess and offer a sense of possible order and hope for the future.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e300 copies on 150gr black vinyl housed in a 24pt reverse board jacket with hand made test films attached. Download included. Recorded, mixed and mastered by Greg Wilkinson. Art by Laíza Ferreira.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3803526619\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003e\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":15416003526729,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/LUNGS-111_front_CARGO.jpg?v=1539706015"},{"product_id":"ryan-dinosaur-chapter-one-the-final-chapter-lp","title":"Ryan Dinosaur - Chapter One: The Final Chapter LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Ryan Dinosaur, aka Ryan Bell, known for his work in GG King, Predator, Hyena, and more, has returned after a lengthy absence with a walloping full length to show for it. Chapter One: The Final Chapter is a 40-minute joyride through a wonderland of DIY songcraft that epitomizes the sound Mr. Dino has championed with his label, Scavenger of Death.\u003c\/p\u003e\n\u003cp\u003eTracked over the course of four years with a revolving door of musicians from some of the best groups out of Atlanta (GG King himself sings on two numbers), this is an immersive document, one human’s idiosyncratic vision of their place in the world. Oscillating between serious and joking, between aggression and introspection, Chapter One rambles through a wealth of punk rock influences: Kiwi-pop jangle, heavy metal worship, soot-black hardcore, and more. If you like your jams apocalyptic and otherworldly, there’s something here for you. If you think life is a joke, there’s plenty here to make you laugh. Includes lyric sheet and digital download.\"\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eRecommended!\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-Scavenger of Death.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2944014550\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":18637956120649,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a3413046702_16_1500x_f89c5b24-391b-41c2-b71f-1c8d5c22c126.jpg?v=1546845491"},{"product_id":"toyota-s-t-lp","title":"Toyota - S\/t LP","description":"\u003cp\u003eDR 26\u003c\/p\u003e\n\u003cp\u003eThe market development team at Discontinuous Innovation Inc. have pre-approved the following vinyl disc for market testing across consumer audiences. 13 tracks played at a feverish pace for maximum efficiency. Since adding Toyota Avalon on synth, Toyota's sound has (d)evolved further to hit all the hot industry selling points, exotica, lounge, pop, devo-worship, accidental Primus nods? A record certain to sell for top collector dollars $$$$$$. Jackets hand stamped for maximum fucking profitability.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.antwerpentoyota.com\/a-look-at-toyota-awards-and-achievements-over-the-years.html\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eToyota's prestigious awards\u003c\/a\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3754158916\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/digitalregress.bandcamp.com\/album\/s-t-2\"\u003eS\/t by Toyota\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":18663447265353,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a2547226152_10.jpg?v=1553796116"},{"product_id":"preening-gang-laughter-lp","title":"Preening - Gang Laughter LP","description":"\u003cp\u003eDR27\u003c\/p\u003e\n\u003cp class=\"m_245242887009025514gmail-p1\" data-originalfontsize=\"13px\" data-originalcomputedfontsize=\"13\"\u003eOakland three-piece Preening is Max Nordile (saxophone, vocals), Alejandra Alcala (bass), and Sam Lefebvre (drums). \u003ci data-removefontsize=\"true\" data-originalcomputedfontsize=\"13\"\u003eGang Laughter\u003c\/i\u003e, mostly recorded in the summer of 2018 by HL Nelly at Santo in West Oakland, is Preening’s first full-length. The album follows three 7”s on labels Ever\/Never, Fine Concepts, and Digital Regress, and at least three self-released cassette tapes since 2017. Jackets screen-printed in Oakland by Fine Concepts.\u003c\/p\u003e\n\u003cp class=\"m_245242887009025514gmail-p1\" data-originalfontsize=\"13px\" data-originalcomputedfontsize=\"13\"\u003e“In an effort to ensure that as few people hear them as possible,” “hot new Oakland trio” Preening’s “misshapen angles,” “spittle,” and “occasionally funky” “guitarless no wave” is “an interesting listen” and a “slyly antagonizing joyful noise” that’s “as irritating as anything else in Preening’s discography,” though “I can’t tell if it’s a gag” and “there’s a charm.” Also, “the vocals have a bewildering quality.” \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2985443418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/digitalregress.bandcamp.com\/album\/gang-laughter\"\u003eGang Laughter by Preening\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":18712403574857,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/Gang_Laughter_Front_Cover.jpg?v=1547699818"},{"product_id":"ragnar-grippe-symphonic-songs-2xlp","title":"Ragnar Grippe - Symphonic Songs 2xLP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded between the release of Sand (1977) and Lost Secrets (1981), Symphonic Songs is a formerly unreleased work that chronicles the dynamic shift and development in experimental Swedish composer RAGNAR GRIPPE's canon. Following his seminal release Sand in 1977, Swedish experimental composer Ragnar Grippe worked on various art and performance commissions, often returning to Stockholm during the summer months to focus his efforts on his compositional practice. It was there at the famed EMS Studios where he began employing the Buchla synthesizer and the facilities multi-tracking capabilities as new instruments to map his mining of sound and movement. He emerged with a new commission for Susan Buirge later formally titled Symphonic Songs and used in her avant-garde theater piece “Ci-Déla” which debuted in Paris in 1981. Symphonic Songs showcased Grippe’s sound au courant, pushing dense against sparse, calm into cacophonous, using each track as its own intersecting plane. Using the machinations of studio and structure to drive Symphonic Songs’ voice, Grippe culled a haunting, often cinematic electronic work that dots and darts into unexpected corners with curious aplomb.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":18819299573833,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/5c0aab6ba30e3_main.jpg?v=1548304894"},{"product_id":"priors-s-t-lp","title":"Priors - S\/T LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHowling and screaming like an acid trip gone wrong, Melbourne's \u003c\/span\u003e\u003cb\u003ePriors\u003c\/b\u003e\u003cspan\u003epunch to the surface with nine ultra-bombastic cuts of relentless hardcore! \u003c\/span\u003e\u003ci\u003ePriors\u003c\/i\u003e\u003cspan\u003e is a frightening mix of breakneck melodies and cacophonous destruction! Featuring members from a circle of Australian bands quickly making their mark on the international scene (including \u003c\/span\u003e\u003cb\u003eSistema En Decadencia\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eExecution\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eHelta Skelta\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eNerve\u003c\/b\u003e\u003cspan\u003e), this LP was one of the first to be started and last to be finished, over three years in the making from conception to delivery. A slab of wax that hits like a wrecking ball -- impossible to ignore!\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":19050810933321,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/MUS178LP_CU.jpg?v=1551233530"},{"product_id":"d7y-s-t-mlp","title":"D7Y - s\/t MLP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eD7Y - s\/t MLP w\/download (LUNGS-138) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD7Y is a new and absolutely scorching and ever-so-slightly metallic D-Beat unit featuring members of DAUÐYFLIN and ROHT offering up a 12 track debut that will incinerate all preconceived notions of Icelandic music. Reminiscent of S.D.S., GLORIOUS? or PHYSIQUE. Reykjavík punks have the fucking fire right now so stand close and feel the heat. Greenland must be fully melted away by now because D7Y is way too blazing to ignore. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e350 printed inner sleeved copies of 150gr black vinyl, 150 on green, housed in a 24pt reverse board jacket with download card included. All tracking and art by D7Y with mixing help from Jonas Blakklodge.\u003c\/span\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3438264472\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/ironlungpv.bandcamp.com\/album\/d7y-mlp-lungs-138\"\u003eD7Y MLP (LUNGS-138) by D7Y\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":19791565684809,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a2722428430_10.jpg?v=1556162652"},{"product_id":"scrap-brain-a-journey-into-madness-lp","title":"Scrap Brain - A Journey Into Madness LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLondon \/ Oxford-based SCRAP BRAIN are back with a long player that expands and improves on their dirgey and unconventional brand of hardcore punk. This time around the group embraces a wall of sound approach; this is a record that sounds both huge and claustrophobic at once. A dissonant take on FLIPPER with one of the best lyricists in contemporary music. Limited to 500 copies on black vinyl, this is a split release with Drunken Sailor.\u003c\/span\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1906447669\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/thrillingliving.bandcamp.com\/album\/a-journey-into-madness\"\u003eA Journey Into Madness by Scrap Brain\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":19791623782473,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a1478380693_10.jpg?v=1556163178"},{"product_id":"maxine-funke-lace-lp","title":"Maxine Funke - Lace LP","description":"\u003cp\u003eDR 36\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eFor a decade, Maxine Funke has cut an idiosyncratic path as a singer-songwriter, all the while avoiding the parochial retreads of that worn-out label. Funke's music is intimate and deeply intelligent, buoyed by a sense of effortlessness that belies a scrupulous attention to the smallest of details.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLACE was originally released as a CD-R in 2008 on Alastair Galbraith's Next Best Way label.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eImagine the just-so arrangements of Josephine Foster and the knowing quotidian eye of Sibylle Baier meeting the realism of Funke's compatriots Turiiya or the acoustic textures of the Kiwi Animal and you're nearly there – but in that gap lies the undeniable pull of Funke's music. Short songs for nylon string guitar, violin, piano, incidental snippets of bird song and furniture creaks, brief instrumental interludes in the vein of Funke's regular collaborator Galbraith: this is the realest of deals. The metaphysic of \"Second Hand Store\" cuts to the uncompromised heart of this record, a rejection of the idea of ownership in favor of communal chance, the ragged comfort of things lived-in and passed on, a searching with no need to find, let alone possess.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eIndeed, as much as these recordings suggest the close quarters and warmth of a small home, Maxine Funke makes music for traveling, providing accompaniment through the rough, unfeeling vectors of a disenchanted world and, as she does on the last song of FELT, imagining it differently. As the titles of these albums suggest, Funke's is a tactile art, as warm and tangible as the tape hiss bathing it, her words and music rescuing everyday moments from traps of distraction and defeat. Following limited edition vinyl reissues in 2016 - a swansong for Nemo Bidstrup's sorely missed Time-Lag Recordings imprint - we're happy to make FELT and LACE widely available. Maxine Funke's music, immediate and entirely unpretentious, suggests a world in which Katherine Mansfield rubs shoulders with Liz Harris, or Vashti Bunyan grows up on the Flying Nun catalog. Absolutely essential.\u003c\/p\u003e\n\u003cpre class=\"aLF-aPX-K0-aPE\"\u003e\u003c\/pre\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3359364166\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/maxinefunke.bandcamp.com\/album\/lace\"\u003elace by maxine funke\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Black Vinyl","offer_id":31308806619209,"sku":"","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Test Press","offer_id":31308806651977,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/FunkeLaceDigital.jpg?v=1563744635"},{"product_id":"maxine-funke-felt-lp","title":"Maxine Funke - Felt LP","description":"\u003cp\u003eDR 37\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eFor a decade, Maxine Funke has cut an idiosyncratic path as a singer-songwriter, all the while avoiding the parochial retreads of that worn-out label. Funke's music is intimate and deeply intelligent, buoyed by a sense of effortlessness that belies a scrupulous attention to the smallest of details.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFELT appeared in 2012 in a vinyl edition of 100 on the Epic Sweep imprint. This album has an altogether more crepuscular feel, making slightly fuller use of the sonic palette--an increase in dissonance, errant drum rumbles, and nigh-ambient instrumental murmurings around which flow Funke's basically perfect songs. The brevity, yet fullness, of the tracks and Funke's unadorned if oblique arrangements lend a sense not of sketches but of fields of color, the sensation of late fall foliage glimpsed through the window of a quickly passing train.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIndeed, as much as these recordings suggest the close quarters and warmth of a small home, Maxine Funke makes music for traveling, providing accompaniment through the rough, unfeeling vectors of a disenchanted world and, as she does on the last song of FELT, imagining it differently. As the titles of these albums suggest, Funke's is a tactile art, as warm and tangible as the tape hiss bathing it, her words and music rescuing everyday moments from traps of distraction and defeat. Following limited edition vinyl reissues in 2016 - a swansong for Nemo Bidstrup's sorely missed Time-Lag Recordings imprint - we're happy to make FELT and LACE widely available. Maxine Funke's music, immediate and entirely unpretentious, suggests a world in which Katherine Mansfield rubs shoulders with Liz Harris, or Vashti Bunyan grows up on the Flying Nun catalog. Absolutely essential.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1568238050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/maxinefunke.bandcamp.com\/album\/felt\"\u003eFELT by maxine funke\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Black Vinyl","offer_id":31308806520905,"sku":"","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Test Press","offer_id":31308806553673,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/FunkeFeltDigital.jpg?v=1563744859"},{"product_id":"patty-waters-live-lp","title":"Patty Waters - Live LP","description":"\u003cp\u003e\u003cstrong\u003eDistro:\u003c\/strong\u003e Blank Forms\u003c\/p\u003e\n\u003cp\u003ePatty Waters is a visionary avant-garde vocalist and composer, best known for her groundbreaking 1960s recordings for the legendary free jazz label ESP-Disk. Captivated by the music of Billie Holiday, she sang with Bill Evans, Charlie Mingus, Chick Corea, and Herbie Hancock before coming to the attention of Albert Ayler, who introduced her to ESP-Disk's Bernard Stollman. The rest is history. Recorded with pianist Burton Greene, Waters' haunting 1966 debut Sings (ESPDISK 1025CD) juxtaposes a side of hushed self-composed jazz ballad miniatures with an iconoclastic take on the standard \"Black Is the Color of My True Love's Hair\". Sharing Ayler's affinity for the deconstruction of folk idioms, Waters dismantles the tune through a series of anguished wails, moans, whispers, and screams that cemented her reputation as a vocal innovator, predating the extended techniques of Yoko Ono, Joan La Barbara, and Linda Sharrock, and cited as a direct influence to Diamanda Galas and Patti Smith's own freeform vocal excursions. The mythic side-long exposition stands as one of the 20th century's most harrowing expressions of madness and grief, its incantatory mutilation of the word \"black\" into a full-spectrum monochrome resounding with a particular potency at a time when battles for civil rights were erupting across the country. After recording a second ESP-Disk album in 1996 (ESPDISK 1055CD\/LP), Waters disappeared from the music scene, moving from New York to California to raise her son. Her Blank Forms concert on April 5th, 2018 -- with original pianist Burton Greene as well as bassist Mario Pavone and percussionist Barry Altschul, both veterans of Paul Bley's ensembles -- was Waters' first New York appearance since 2003. Dedicated to Cecil Taylor, who had passed away moments before she took the stage, Live preserves the mournful tension that was in the air that night. Her first new release on vinyl since 1966's College Tour, the record divides the session in the spirit of her debut. Side A features a set of desolate ballads, including Waters' own classic \"Moon, Don't Come Up Tonight\", while the B-side puts into stark relief the fact that the fight for civil rights that Waters invoked over 50 years ago is far from over. Beginning with her rendition of \"Strange Fruit\", a 1937 song written in protest of black lynching and American racism, the suite's form-bending contortions also features the second-ever recording of Waters' original, exceptional lyrical take on Ornette Coleman's \"Lonely Woman.\"\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":30305362313289,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/BF009LP_CU.jpg?v=1570164483"},{"product_id":"behavior-spirits-embellishments-lp","title":"Behavior - Spirits \u0026 Embellishments LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBehavior is a band from Los Angeles, comprised since 2012 of Bedros Yeretzian, Evan Burrows, and Justin Tenney. Their collaboration is a shifting ad hoc agreement, organized around a permissive sensibility that is anchored to consistency of image rather than genre myopia. Their music continues to map a line of departure, a stumbling movement in restless hopscotch across a pop music tradition that has tallied an unlivable inheritance of promises.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpirits \u0026amp; Embellishments is their third LP, and their first with the label Post Present Medium, which is newly revived after a short pause. The record is preceded by last year’s self-released EP Shithead Apology, and two LPs— Bitter Bitter (2017) and 375 Images of Angels (2016), both of which were released on the seminal West Coast punk label Iron Lung Records. Spirits \u0026amp; Embellishments was written in a small, shared practice space in Los Angeles, rented at a cost of $139.34 per month. The lyrics were compiled and composed collaboratively on a shared document hosted on a proprietary cloud— an assembled repository of original and found language, a record of the intellectual and emotional meanderings of three different people over a limited period of time. Spirits \u0026amp; Embellishments features guest performances by Evan Backer, Sophie Weil, Nicole Antonia Spagnola and Robert Cody. The album was recorded and mixed over roughly five days by Greg Hartunian, Robert Cody and Behavior at Tropico Beauty in Glendale, CA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpirits \u0026amp; Embellishments is a brush fire, hungry for oxygen, choking the dry air with lavender, sage, and melting plastic. The tools are simple, the atmosphere is stark, the space is literal. These are tactile rock n roll songs, shaped at root by the extreme techniques of punk in all its groping permutations. These songs are lengths of multichrome climbing rope coiled like snakes, brought to life by way of melodrama, and contemporary in their free association. They were conceived with irreverence for the distinction between Crass and The Rolling Stones, to leverage the evaporating space of antagonism between first wave post-punk and its commercially unambivalent counterparts. The method was ultimately functional: rounding and smearing over the vacant face of rote angularity, leaning into craft in an attempt to outmode what’s simply been accounted for.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe lyrical voice on Spirits \u0026amp; Embellishments is miserable, cherubic—a glitching romantic fumbles with the familiar fetishes of a worn out avant gardist tradition, strobing at an irreverent tear between confession and non sequitur, idealism and bitterness, leftward cynicism and rightward nihilism in the grotesque style. The lyrical voice is realistic. It’s a wide open mouth that delivers to the present what it steals from the past. The 'speaker' is a teetering brickwork of textual inter-reliances—grasping, wry, but also plain and earnest at turns. A heavily sentimental presence that anyway refuses to commit to the undernourished sense that a shrinking personal world is somehow sacrosanct.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a desire for tension, a desire for fraudulent postures, for both intimacy and distance. A tedious attachment to control and good taste. An invitation to derangements. A principled approach that feels honest. A blood flow, a double-hearted circulation between contempt and care, working the body at an urgent pulse.\u003c\/span\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=886550308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1272854550\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/behavior.bandcamp.com\/album\/spirits-embellishments\"\u003eSpirits \u0026amp; Embellishments by Behavior\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":30836797079625,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/ppm61.jpg?v=1571184003"},{"product_id":"the-kiwi-animal-music-media-lp","title":"The Kiwi Animal - Music Media LP","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eDR 40\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eDigital Regress's foray into the fabled NZ underground hops over to the North Island for two exquisite pieces of acoustic DIY and shadowy, cracked pastoralia.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eAfter a few years spleen venting at the front of Wellington art brutes Shoes This High, Brent Hayward struck out on his own, self-releasing a few EPs as Smelly Feet before forming The Kiwi Animal with Julie Cooper in 1982. The duo released their first album, Music Media, on Massage Records (their own imprint) in 1984. \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eBilling itself \"New Acoustic Music,\" the Kiwi Animal's debut is a set of introverted and austere yet lambent folk songs. Textural, gently hypnotic guitar chords anchor minimal arrangements, as Hayward and Cooper's entwined vocals\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– think Pip Proud meets The Vaselines - \u003c\/span\u003eproject paranoia and forlorn, diffident cool. Wry, imagistic lyrics somewhere between the stoned political economy of D. Boon and the head-fuck soliloquies of Robert Ashley complete The Kiwi Animal effect. \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eThe music of The Kiwi Animal, moody and intelligent and often abruptly gentle\u003cspan\u003e, \u003c\/span\u003eworks subcutaneously, propelled by guitars that churn and weave – no jangle here – and a his 'n' hers vocal delivery for the ages. Digital Regress is happy to make these essentially perfect records available again. \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003ePressing info: deluxe-gloss jackets with 100 copies on white vinyl and 400 on black.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yj6qo\"\u003e\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=662309176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/digitalregress.bandcamp.com\/album\/music-media\"\u003eMusic Media by The Kiwi Animal\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"White vinyl","offer_id":30860076777545,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Black vinyl","offer_id":30860076810313,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Test Press","offer_id":31308808061001,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/TKAMMJacket.jpg?v=1571204291"},{"product_id":"the-kiwi-animal-mercy-lp","title":"The Kiwi Animal - Mercy LP","description":"\u003cp\u003eDR 41\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDigital Regress's foray into the fabled NZ underground hops over to the North Island for two exquisite pieces of acoustic DIY and shadowy, cracked pastoralia. \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eAfter a few years spleen venting at the front of Wellington art brutes Shoes This High, Brent Hayward struck out on his own, self-releasing a few EPs as Smelly Feet before forming The Kiwi Animal with Julie Cooper in 1982. The duo released their first album, Music Media, on Massage Records (their own imprint) in 1984. \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eWith the addition of Patrick Waller on cello and sundry other instruments, 1985's MERCY finds an augmented Kiwi Animal trying on what at first glance is a more refined, melancholic sound. But the group's experimental bent, largely restrained on Music Media, soon shows its hand. Pinprick ur-folk guitar themes, blinking on and off, buffeted by radio interference and toy piano; woozy bedsit slow-burns; the arresting croak of Hayward's penpal, William S. Burroughs; even a foray into dosed synth-pop: MERCY presents a unique yield of fraying, autumnal DIY songcraft.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eThe music of The Kiwi Animal, moody and intelligent and often abruptly gentle\u003cspan\u003e, \u003c\/span\u003eworks subcutaneously, propelled by guitars that churn and weave – no jangle here – and a his 'n' hers vocal delivery for the ages. Digital Regress is happy to make these essentially perfect records available again. \u003c\/p\u003e\n\u003cp\u003ePressing info: printed on deluxe gloss jackets, 100 translucent red vinyl and 400 black.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3441994550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/digitalregress.bandcamp.com\/album\/mercy\"\u003eMercy by The Kiwi Animal\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Translucent red vinyl","offer_id":30860108595273,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Black vinyl","offer_id":30860108628041,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Test Press","offer_id":31308807536713,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/TKAMercyDigital.jpg?v=1571204683"},{"product_id":"aki-onda-paul-clipson-make-visible-the-ghosts-lp","title":"Aki Onda \u0026 Paul Clipson - Make Visible The Ghosts LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaudioMER. announce the release of a new LP; \u003c\/span\u003e\u003ci\u003eMake Visible The Ghosts\u003c\/i\u003e\u003cspan\u003e with music by \u003c\/span\u003e\u003cb\u003eAki Onda\u003c\/b\u003e\u003cspan\u003e and artwork by \u003c\/span\u003e\u003cb\u003ePaul Clipson\u003c\/b\u003e\u003cspan\u003e. This album is the follow-up of Aki Onda's Cinemage project \u003c\/span\u003e\u003ci\u003eLost City\u003c\/i\u003e\u003cspan\u003e -- with \u003c\/span\u003e\u003cb\u003eLoren Connors\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eAlan Licht\u003c\/b\u003e\u003cspan\u003e -- released on audioMER. in 2015 (AUDIOMER 013LP). On \u003c\/span\u003e\u003ci\u003eMake Visible The Ghosts\u003c\/i\u003e\u003cspan\u003e, New York-based musician Aki Onda composed the soundtrack for the images of the San Francisco experimental filmmaker Paul Clipson, who suddenly passed away on February 3, 2018. In 2009, Clipson and Onda met at the Amsterdam Schiphol Airport for the first time and shared a ride to the International Film Festival Rotterdam, where they presented audio-visual works in the same bill. Since then, the two artists -- known for their highly personal approach with Super 8, 16mm, cassette Walkman, and radio -- maintained a close friendship over the next nine years. Their works deal with memory, time, space, and those reflections, and they had a lot to share. Onda and Clipson completed their collaboration work \u003c\/span\u003e\u003ci\u003eMake Visible The Ghosts\u003c\/i\u003e\u003cspan\u003e -- a combination of vinyl LP of Onda's music and large-size collage artwork by Clipson -- a few months before Clipson's departure from life. The work is composed of the materials they used for their performance in New York in 2012 and developed over the three years from 2015 to 2017. Onda notes: \"The loss of Paul has left a huge hole in our mind including his friends and collaborators. Paul is no longer here, and this is a chance to remember him and his images that extended and expanded our perception of how the world can be seen and heard.\"\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31215721119817,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/AUDIOMER018LP_CU.jpg?v=1578933248"},{"product_id":"anthony-burgess-conversations-with-the-anthony-burgess-cassette-archives-1964-1993-2xlp","title":"Anthony Burgess - Conversations with the Anthony Burgess cassette archives (1964-1993) 2xLP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA collection curated by \u003c\/span\u003e\u003cb\u003eAlan Dunn\u003c\/b\u003e\u003cspan\u003e in collaboration with the International Anthony Burgess Foundation and Sub Rosa. \u003c\/span\u003e\u003cb\u003eAnthony Burgess\u003c\/b\u003e\u003cspan\u003e's second wife \u003c\/span\u003e\u003cb\u003eLiana\u003c\/b\u003e\u003cspan\u003e carried a cassette recorder with her at all times to capture her life with the author and their son, \u003c\/span\u003e\u003cb\u003eAndrew\u003c\/b\u003e\u003cspan\u003e. This extraordinarily intimate audio archive of over 1,000 cassettes now sits with the International Anthony Burgess Foundation and artist Alan Dunn has been granted access to select excerpts from it and curate sonic conversations from others. The first disc contains the very first and last known recordings of Burgess's voice alongside domestic incidents, rehearsals, and answering machine messages, while the second disc invites 23 artists and musicians to remix the rare material into a unique Burgess portrait, far beyond \u003c\/span\u003e\u003ci\u003eA Clockwork Orange\u003c\/i\u003e\u003cspan\u003e (1962). Features \u003c\/span\u003e\u003cb\u003eThe Reverend Max Ripple\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eVicky Clarke\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDinah Bird\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAlan Dunn \u0026amp; Noisesurfer\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eRoy Claire Potter\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eKieron Piercy\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMark Vernon\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eDavid Birchall\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eMarion Harrison\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eJeff Young\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eScanner\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eAde Blackburn\/Clinic \u0026amp; Paul Sullivan\/Static\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eForeign Investment\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eTobias Hazan\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEye Suriyanon\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBand Of Holy Joy (James Stephen Finn \u0026amp; Johny Brown)\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eChris Watson\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eGuy-Marc Hinant \u0026amp; Laszlo Umbreit\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn in Manchester in 1917, Anthony Burgess was educated at Xaverian College in that city and at Manchester University. He served in the army from 1940 to 1946 and as an education officer in Malaya and Brunei from 1954 to 1959. He published more than 50 books, including \u003c\/span\u003e\u003ci\u003eA Clockwork Orange\u003c\/i\u003e\u003cspan\u003e and his masterpiece, \u003c\/span\u003e\u003ci\u003eEarthly Powers\u003c\/i\u003e\u003cspan\u003e (1980), and composed around 250 musical works. He was created a Commandeur des Arts et des Lettres by President Mitterrand of France and a Commandeur de Mérite Culturel by Prince Rainier of Monaco. He died in London in 1993. His books are still read all over the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlan Dunn is an artist and curator based between Liverpool and Leeds, where he is a reader in Art \u0026amp; Design at Leeds Beckett University. His projects have been presented at Tate Britain, ICA, Liverpool Art Prize, BBC Radio and Bluecoat. The International Anthony Burgess Foundation in Manchester is an independent educational charity which encourages public and scholarly interest in all aspects of the life and work of Anthony Burgess.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31215730851913,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/SR485LP_CU.jpg?v=1578933741"},{"product_id":"the-shifters-s-t-lp","title":"The Shifters - S\/t LP","description":"\u003cp\u003e\u003cstrong\u003ePre-Order: shipping May 10th, 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eI wrote about the debut cassette from Melbourne’s the SHIFTERS in the very first column that I did for MRR three years ago, which gives me all sorts of complicated and confusing feelings about the passage of time. And as evidence that sometimes it takes awhile for historical wrongs to be righted, that criminally limited tape is now finally available in its entirety as an LP on the new French label Future Folklore, following the two songs that resurfaced on the Creggan Shops 7” courtesy of It Takes Two back in 2016. The SHIFTERS’ stark, repetitive minimalism and shambolic charms always owed more than a little bit to the FALL in their early years, and revisiting the material from the cassette now after Mark E. Smith’s passing only reinforces the psychic connection between the lackadaisical post-punk twang in “Captain Hindsight” and the cracked melodies of something like the FALL’s “Your Heart Out” from the Dragnet era. “Creggan Shops” is as close to a contemporary successor to those brilliant first two MEKONS singles as I’ve come across, from the tense interplay between the melodica and a creaky violin, to the scritch-scratch guitar, to the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003enonchalantly harmonized dual vocals, all sounding like they’re perpetually on the verge of coming undone. There’s way more at play here than blatant UK DIY worship, though—it’s not a huge jump from the homespun, pastoral pop of ‘80s Australian DIY legends like the PARTICLES and the CANNANES to the SHIFTERS’ raggedly melodic “Colour Me In,” and “The American Attitude to the Law” sprawls into a lengthy VELVET UNDERGROUND-addled haze, if only LOU REED had written songs referencing “drinking cough syrup to fall asleep” instead of heroin. \u003cbr\u003e-Erika Elizabeth, Futures \u0026amp; Pasts | MRR #421\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1371708721\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/theshiftersofmelbourne.bandcamp.com\/album\/the-shifters\"\u003ethe Shifters by The Shifters\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31270180126793,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a2193870622_10.jpg?v=1582129377"},{"product_id":"patrick-shiroishi-descension-lp","title":"Patrick Shiroishi - Descension LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003ePatrick Shiroishi\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003ci\u003eDescension\u003c\/i\u003e\u003cspan\u003e is a beautifully elegiac and unflinchingly primal album. With richly layered solo saxophone, electronics, and voice, the album is a meditation on the legacy of a dark history and its echoing relevance in the present era. \u003c\/span\u003e\u003ci\u003eDescension\u003c\/i\u003e\u003cspan\u003e is a spiritual journey that reveals Shiroishi's deeply reflective and unique musical vision. Over the past decade Shiroishi has established himself as one of the key artists in Los Angeles's free improvisation and avant-garde undergrounds. An incredibly inventive and versatile player, Shiroishi has collaborated with everyone from epic post-rock maximalists \u003c\/span\u003e\u003cb\u003eGodspeed You! Black Emperor\u003c\/b\u003e\u003cspan\u003e to \u003c\/span\u003e\u003cb\u003eRadu Malfatti\u003c\/b\u003e\u003cspan\u003e, the Austrian composer who pioneered the ultra-quiet reductionist school of improvisation. Shiroishi has also led or been at the center of innumerable ensembles which currently include \u003c\/span\u003e\u003cb\u003eDanketsu 10\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBorasisi\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eNakata\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKogarashi\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eKomeshi Trio\u003c\/b\u003e\u003cspan\u003e. His previous groups include in the \u003c\/span\u003e\u003cb\u003eWomb\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eOort Smog\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eoxox\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eHoboglyphs\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eUpsilon Acrux\u003c\/b\u003e\u003cspan\u003e. On his debut album for Thin Wrist Recordings and his first solo vinyl release, Shiroishi makes a deep examination of his own ancestral history. \"In the fall of 2016 I started researching heavily into the concentration camps of Japanese-American citizens during World War II,\" says Shiroishi. \"My grandparents on my father's side met and married in the camps at Tule Lake, a place my grandmother never spoke about to me when she was alive. As I began to dive deeper, it naturally began to sink into my improvisations and work.\" In the context of events that were unfurling in real time, Shiroishi's work began to bridge the past with the present, using improvisation as the most immediate means of expression: \"Everything on \u003c\/span\u003e\u003ci\u003eDescension\u003c\/i\u003e\u003cspan\u003e was recorded in one take in the order that it appears,\" recalls Shiroishi. \"I didn't prepare any melodies or form prior to the session; I anticipated playing layers and layers of noise. The record is a representation of how I had been processing the horrors of the present -- the sadness of the loss of life not only in the states but through the genocides in Sudan, Myanmar, Iraq and Syria, anger that migrant children are being separated from their parents and being held in concentration camps again, the frustration that times really are frighteningly similar to when my grandparents were growing up.\" Rather than create any sort of literal or agitprop statement, Shiroishi's work tapped into a timeless spiritual tradition of music -- closer to those of artistic heroes such as \u003c\/span\u003e\u003cb\u003eColtrane\u003c\/b\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cb\u003eAyler\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31495459635273,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/TWOLP_CU.jpg?v=1589223570"},{"product_id":"triple-negative-god-bless-the-death-drive-lp","title":"Triple Negative - God bless the Death Drive LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLiterally taking off where the acclaimed \u003c\/span\u003e\u003ci\u003ePrecious Waste in our Wake\u003c\/i\u003e\u003cspan\u003e LP (PP 041LP, 2019) finished off, London based outfit \u003c\/span\u003e\u003cb\u003eTriple Negative\u003c\/b\u003e\u003cspan\u003e return with another exemplary amplified jigsaw puzzle. The playback of this reality is garnished with humor, bedlam, beauty, and a robust fear of the predictable. As payback for your acknowledgment our international line-up delivers a disparate mix of genres and histographies rendered into a devious dish of rhythm, song, balladry, and nerve. This is Not This Heat. \u003c\/span\u003e\u003cb\u003eA.Kostis\/Kostas Bezos\u003c\/b\u003e\u003cspan\u003e's \"Stin Ypoga\" (1930) is the template for \"Bad Emotional Investments\" whilst the haunting \"Fine Cargo Lacquer\" takes flight from the morbidly on point novel \u003c\/span\u003e\u003ci\u003eThe Death Ship\u003c\/i\u003e\u003cspan\u003e by \u003c\/span\u003e\u003cb\u003eB. Traven\u003c\/b\u003e\u003cspan\u003e (1926). \u003c\/span\u003e\u003ci\u003eGod Bless the Death Drive\u003c\/i\u003e\u003cspan\u003e could be construed as a compass to navigate the wayward wonder we inhabit or it can just be enjoyed. This second full-length steers into scathed realms of everyday junk and poignant punk, all pressed down on the lowest quality ethylene and chlorine. Triple Negative return with another stamped digest of hope as joke, noise and song, rollicking rhythm and seasick soul. High gloss sleeve with printed comic book inner sleeve; Edition of 500.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31495472382025,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/PP045LP_CU.jpg?v=1589223934"},{"product_id":"pious-faults-old-thread-lp-uk-press","title":"Pious Faults – Old Thread LP (UK Press)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePenultimate Press (UK) and Aimless Wander (Australia) present the debut album from Brisbane’s Pious Faults. With ‘Old Thread’ this young Australian group have crafted a remarkably lucid and original vinyl debut. A sonic whirlwind of wonderfully deconstructed hardcore punk – songs stripped of inheritable form; leaping from stone to leaf to puddle in a unique, abstract manner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePious Faults careen through nine tracks on this 45rpm 12″, balancing short, disaffected hardcore punk blasts with an experimental urgency, as referenced across tracks like the massive “Worship the Surface”. The tense physical interplay between instruments feeds powerfully beneath uninhibited, wonder-full snarls that depict a landscape of the destructive external and a keyhole view into the bruised internal. Experience is exposed here by Pious Faults. Watch on and see no mind tied to its own leap. This record is born solely out of love, amusement \u0026amp; all the motions that follow in their wake.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUK\/Australian mass produced repress at cheaper price, limited to 300 copies only. Comes with booklet. \u003c\/span\u003e\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31518265147465,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/PP40-Old-Thread-jacket_web_HR-494x500.jpg?v=1589583981"},{"product_id":"crazy-doberman","title":"Crazy Doberman - Hypnagogic Relapse And Other Penumbral Phenomena LP","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eDR 44\u003c\/p\u003e\n\u003cp\u003ePenumbra, from the Latin paene (almost) and umbra (shadow), refers to the partially luminescent fringe of an opaque object, like the streetlight outlining the sole of a shoe hurtling towards your eye. Hypnagogic, from the Greek hupnos (sleep) and agōgos (leading), refers to the drowsy state before sleep. \u003cstrong\u003eCrazy Doberman\u003c\/strong\u003e here comprises 17 players from the greater Europe of the Midwest. Basement glyphs. Who’s on the lease? And what’s under the rug. The owner pays them to keep away the beast of busco. They do spontaneity, welcoming simultaneity, montaged in post. Further spool’t month to month, basking in the stroboscope. -Sam Lefebvre\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/crazydoberman.bandcamp.com\/album\/hypnagogic-relapse-and-other-penumberal-phenomena\"\u003ehypnagogic relapse and other penumberal phenomena by crazy doberman\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31669029929033,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a0860662570_10.jpg?v=1593538175"},{"product_id":"clock-of-time-pestilent-planet-lp","title":"Clock Of Time - Pestilent Planet LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Pestilent Planet is the debut 7 track album from Berlin’s Clock of Time and it’s released a mere 8 months after they played their first gig. The band comes fully formed and up to speed but that is not surprising considering some of the members other projects such as Diat, Vexx and Useless Eaters. Pestilent Planet is a stunning statement of intent. The sound is a driving mix of post punk like Jeopardy era The Sound, and that classic 80’s death rock that Vexx and Arch Criminals perfected. It’s instant and urgent especially tracks like 'Rotten Master' which has a fuller Joy Division esque vibe especially in the skeletal guitar hook. It will be love on first listen.\" (Sean Forbes) Clock Of Time is Corey, Tobi, Nordberg, Seth \u0026amp; Kalo. Recorded, mixed and mastered by Tobi \/ DX Productions in Berlin, 2019. Artwork by Nicky Rat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2038474542\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/staticshockrecords.bandcamp.com\/album\/pestilent-planet\"\u003ePestilent Planet by Clock Of Time\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31843620552777,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/5f51472d5f968_main.jpg?v=1603211158"},{"product_id":"henning-christiansen-lessere-umano-errabando-la-voca-errabando-lp","title":"Henning Christiansen - L'essere Umano Errabando La Voca Errabando LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe third release on The Henning Christiansen archive label features a previously unreleased work from 1991. \"The Wandering Human Being - The Wandering Voice\", as the title suggest is a piece for voice and features \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarlo Quartucci\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCarla Tatò\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eUrsula Reuter Christiansen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHenning Christiansen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Ursula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohannes Gachnang\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla's epic adaptation of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHeinrich von Kleist\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's play \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePenthesilea\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \"The Wandering Human Being - The Wandering Voice\" came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realization that on the other side of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says: \"The human-being was wandering from sea to sea.\" Henning saw no difference in their way over life \"over there\" and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together. Human-basic-technology This conversation and collective realization of the simplicity of it all lead to this work which is one of the finest in Henning's vast catalog. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eL'essere Umano Errabando La Voce Errabando\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a mantra for four voices, the sound of the ocean, a PVC tube, effects, and wind instrument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is \"contemporary\". \"The Wind, The Stars\" are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of \"national,\" the idea of country, the idea of difference. Unlike anything else in Henning's output, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eL'essere Umano Errabando La Voce Errabando\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31846598574153,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/HC003LP_CU.jpg?v=1603476865"},{"product_id":"alien-nosejob-once-again-the-present-becomes-the-past-lp","title":"Alien Nosejob - Once Again The Present Becomes The Past LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNon-stop rocker ALIEN NOSEJOB, aka JAKE ROBERTSON, returns to earth with his second full-length record of 2020, finally bringing the high-octane hardcore punk side of the band to an LP. Hot on the heels of January’s Suddenly Everything Is Twice As Loud LP, Nosejob carries on their winning streak and wordy album titles with Once Again The Present Becomes The Past, which instead follows in the footsteps of the November’s \"HC45\" 7” merging early '80s hardcore and late '70s NWOBHM. Once Again The Present Becomes The Past started life as a concept record about Australia’s first and largest air raid, the 1942 Bombing Of Darwin. However, while grappling with this heavy subject-matter, something from Norm Macdonald’s book, of all places, stuck with Jake: \"The Present Became Past Again\". History is forever repeating itself. It continues to happen. It will happen again. As the record took shape, it was fleshed out with the help of his new reel-to-reel recorder, turning crust and hardcore influences into the dark and cold array of songs documented within. Find out why Alien Nosejob is one of the rare signifiers of both quantity AND quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1392457476\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ironlungpv.bandcamp.com\/album\/once-again-the-present-becomes-the-past-lp-lungs-155\"\u003eOnce Again The Present Becomes The Past LP (LUNGS-155) by ALIEN NOSEJOB\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31851980783689,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/767870664373_main.jpg?v=1603990585"},{"product_id":"hand-of-food-swimming-mindlessly-12","title":"Hand Of Food - Swimming Mindlessly 12\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing up their initial cassette release ‘Tropical Income Tax’, Providence\/NYC based holiday hypnotherapists Hand Of Food have returned and invite you to luxuriate in a perverted idea of paradise with their debut LP, ‘Swimming Mindlessly’. Despite coming from noise rock and damaged electronic backgrounds, the band sits in an odd nether region somewhere between a brutalized ambience or conceptual exotica, while at times dipping a toe into the self-help section. The record plays like the warped audio brochure for a struggling resort town, luring you in with motivational rhetoric and a transparent facade of tranquility. Although your instincts tell you something is off and the regional jokes are all lost on you, an all-inclusive vacation deal this good hasn’t landed in your inbox in a while so you go ahead and book the trip anyways.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e     The opening track Sign Of The Lemon would have you believe everything is fine — lush pads, chimes, and 100% real flutes commingle harmoniously — you made the right choice. As your stay progresses similar instrumentation takes a more anxious turn. A professional voice-over artist or possibly the cruise captain interjects to insist that everything is ok, but hazy ambient atmospheres lead to reflection on the flight over, to all the decisions that led\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eyou here, and ultimately, regret.\u003cbr data-mce-fragment=\"1\"\u003e     Doing your best to keep those spirits high, Chelo’s By The Sea whisks you away to the on-site cocktail lounge for some of the resort's complimentary entertainment, an evening with ‘legendary’ resident crooner Publicity Dave. But by the time the album's title track new-age dirge rolls around it’s clear things have taken a turn for the worse. A catastrophe of some sort has occurred and a strained voice pleads for mercy through a cacophony of eyewitness accounts. Against all odds relaxation is finally achieved when renowned audio book narrator Rebecca Mitchell’s soothing meditation picks you up, dusts you off, and guides you to a seemingly permanent place of peace.\u003cbr data-mce-fragment=\"1\"\u003e     Swimming Mindlessly dislocates the typical island narrative cliches to articulately illustrate tropical disarray and tell the story of a retreat gone awry. A transportive listening experience taking you directly to the heart of beach-bum dystopia. Judging by this record the Google reviews comment section for the Hand Of Food travel agency would be a treasure chest of pure gold. \u003cbr data-mce-fragment=\"1\"\u003e\u2028\u003cbr data-mce-fragment=\"1\"\u003e-Ren Schofield (Container)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2185236456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/evernever-records.bandcamp.com\/album\/swimming-mindlessly\"\u003eSwimming Mindlessly by Hand Of Food\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31852077056073,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a2053310092_10.jpg?v=1603997106"},{"product_id":"loren-connors-unaccompanied-acoustic-guitar-vol-1-lp","title":"Loren Connors - Unaccompanied Acoustic Guitar Vol. 1 LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Here is the first volume of protean solo improvisations recorded by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLoren Connors\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in his artist's garret in New Haven, Connecticut. It was committed to tape on February 20, 1979 and pressed to vinyl soon after. As with the two earlier LPs on Loren's Daggett label, singer\/recorder-player \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKath Bloom\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e also appears on this record, although only on the second side. Those prior LPs were both issued in 1978, The first was \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAcoustic Guitar\/Gifts\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e a split LP with Loren solo on one side and with Kath joining him on the flip. The second was \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFields\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which I have been assured uses the same split format. Although most people cannot help themselves from believing all nine volumes of this series (all of which we will be reissuing) are of a piece, the first volume represents a real declaration of identity for Loren. He was introducing himself publicly as a guitar player, although his approach was still very much dictated by the influence of the painter, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMark Rothko\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who Loren once described as using a minimal palette to create vital art. The music on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eUnaccompanied Acoustic Guitar Vol. 1\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is less violent than the solo side of the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAcoustic Guitar\/Gifts\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e split. I've never been able to hear a copy of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFields\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, so I can't compare that one. But the feel to this session is bluesy, in as much as Loren's wordless vocals have a surface similarity to a hellhound's, and while he was not using a slide, most of the notes he plays are bent to the edges of their known range. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFahey\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e always said blues was 'about' anger, however and there's not really any of that here. I am more reminded of this Rothko quote. 'You've got sadness in you, I've got sadness in me ... and my works of art are places where the two sadnesses can meet, and therefore both of us need to feel less sad.' The first side is solo. On the second Loren is joined for a bit by Kath on hums and recorder. The music brims with sorrow more than anything else. And while it's clear Loren was embracing an abstract avant garde aesthetic vis-a-vis his playing, the urge to communicate seems to lie at its roots. Whatever you choose to call it, this is the beginning of something quite beautiful.\" --\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eByron Coley\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 2020\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31857600987209,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/FTR257LP_CU.jpg?v=1604691624"},{"product_id":"catherine-christer-hennix-unbegrenzt-lp","title":"Catherine Christer Hennix - Unbegrenzt LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\" data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eUnbegrenzt\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the third in an ongoing series of archival records of the unheard music of Swedish composer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCatherine Christer Hennix\u003c\/b\u003e, co-released by Blank Forms Editions and Empty Editions. It follows\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSelected Early Keyboard Works\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(2018) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSelections from 100 Models of Hegikan Roku\u003c\/i\u003e, named the #1 archival release of 2019 by The Wire (BF 007LP, 2019), in addition to a two-volume collection of Hennix's writing titled\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePoësy Matters\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOther Matters\u003c\/i\u003e. Recorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, electronics) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHans Isgren\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(bowed gong), Hennix's realization of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKarlheinz Stockhausen\u003c\/b\u003e's \"Unbegrenzt\" (German for \"unlimited\") from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAus den Sieben Tagen\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAus den Sieben Tagen\u003c\/i\u003e, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen's conception of \"intuitive music,\" a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBill Barron\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCam Brown\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHans Isgren\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLalle Svenson\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAllan Vajda\u003c\/b\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBo Wärmell\u003c\/b\u003e, and many others. While both Hennix and Isgren saw the formal prospect of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAus den Sieben Tagen\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas a productive development of and beyond\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLa Monte Young\u003c\/b\u003e's event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer's Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen's 1969 recording, Hennix's alternative realization of the \"Unbegrenzt\" score's instructions to \"play a sound with the certainty that you have an infinite amount of time and space\" is based on her concept of \"Infinitary Compositions\", the trademark of her ensemble\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Deontic Miracle\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewhich, at one time, considered adding Stockhausen, La Monte Young, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTerry Jennings\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003escores to its repertoire. Taking a mature, minimal iteration of Stockhausen's compositional method of \"moment-forming\" to heart, her version's dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen's score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind. Audio restoration and mastering by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephan Mathieu\u003c\/b\u003e, with an essay by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBill Dietz\u003c\/b\u003e.\u003c\/div\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31887326412873,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/BF011LP_CU.jpg?v=1608057102"},{"product_id":"max-nordile-building-a-better-void-lp","title":"Max Nordile - Building A Better Void LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e*Max Nordile (Preening, Violence Creeps, Uzi Rash, et al.) tosses Gilgongo 30 minutes of trudging, free-form sprawl that draws unassuming and collateral reference points (in the label’s mind) to a highly regarded catalog of outsiders that spans decades (Jandek, Little Howlin’ Wolf, Nihilist Spasm Band). It’s an honor to challenge any listener, with Building a Better Void.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Max Nordile has a patented collage method. In this day, I almost hate to say it’s perhaps a distinctly American sound, like squawks from the rubber room. Although, this is sharply not a conversation between \"Mattie\" and \"Hattie\" concerning the \"Wooly Bully\" and the desirability of developing dancing skills (with no attempt made to synthesize these divergent topics). What you’re listening to is a tangled mass, a phone call from a scribbled area code, herking and jerking its way off the map. It’s catchy, it’s bent. After it said so much to me, I returned to the record, and then again and again. “Thanks so much,” I said to it, like it is said in the divine hand of “Diligent Pores.” And once more I’m gripped into powerful clang at the intersection of joy, mystery \u0026amp; abrasion. It is mercurial; an icy slip wherein the listener is absolutely unable to get the balance or footing to stand upright for all of thirty minutes. Building a Better Void is a jittering slob but a true testimonial to the San Pablo blocks of trauma-cracked sidewalks of Ishmael Reed’s Blues City: Oakland, brawling and husky. I feel as though I “came to” inside this album, awakened from a black out mid-party – but whose? The details are lost to me now. I struggle to move but not to escape, like bearing witness to the stupid drunk deft hand of William Eggleston’s video phantasmagoria, Stranded in Canton, or hamming on quads ‘round the joyous, unhinged roller rink that is The Shaggs. I want to call Nordile a junkyard James Cameron of aural thrillers, epic in scope, but he’s a poltergeist in the back seat, whispering spookies, in a vehicle we call Rolling Thunder Revue No. II. New fires to replace the bad ones. Freed punk. Friendly spirits.” – Forest Juziak\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31887328870473,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/gggr108.jpg?v=1608057573"},{"product_id":"preening-dragged-through-the-garden-lp","title":"Preening - Dragged Through The Garden LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour years into Preening’s existence and the Bay Area trio hasn’t shown any signs of stagnation–they remain committed to the urge to move forward, to push themselves and their audience. Thus, the restless and relentless motion of Preening’s new 12” EP on Ever\/Never Records, who also released 2018’s excellent Greasetrap Frisbee 7”. Preening sounds more than ever like no one but themselves–Max and Alejandra’s duel (sic) vocals and sax\/bass interplay is masterfully augmented and driven by Sam’s all-hands-on- deck drumming. “Twinning” exemplifies all of these aspects, achieving a head-spinning velocity occasionally interrupted by sections that mimic drips and chimes amidst the cacophony. This is dance music for sleep-deprived geniuses and those who love them. “Rapt Fashions” demands to know “Whose body is this anyway?” And then, to drive the theme of dislocation home, the EP ends with a wigged-out “Extortion” dub mix by Andy Human (of The World\/Naked Roommate\/ Reptoids) \u0026amp; Brett Eastman (Reptoids). Dragged Through The Garden proves that Preening and Ever\/ Never continue to deliver the goods, and then some.\u003c\/span\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2265886937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/evernever-records.bandcamp.com\/album\/dragged-through-the-garden\"\u003eDragged Through The Garden by Preening\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31914203512905,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a3301995154_10.jpg?v=1611169825"},{"product_id":"harry-bertoia-glowing-sounds-lp","title":"Harry Bertoia - Glowing Sounds LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHarry Bertoia\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGlowing Sounds\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself. Bertoia wrote the concept for this \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGlowing Sounds\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea was simple, transfer the original recording at its original speed and two slower speeds. Bertoia noticed that the results, however, were profound. Recorded on January 20, 1975 using two large gongs, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGlowing Sounds\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is one of the most powerfully minimal recordings yet discovered in Bertoia's collection. The artist's note left with the tape indicated that it was recorded at a speed of 15 IPS (inches per second) but slowing it down to speeds of 7.5 IPS and 3.25 IPS were quite effective for enhanced playback. Side A features the original 15 IPS recording and the 50% slower 7.5 IPS recording. Side B features a 20-minute, ultra-slow version at 3.25 IPS. Long, deep drones and powerful overtones define the sound of this recording. Comparison of the three speeds provides a revealing magnification of Bertoia's gongs, overtones and the artist's inventive approach to performance, composition and recording.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":31922628493385,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/FW1036LP_CU.jpg?v=1611866203"},{"product_id":"silicone-prairie-my-life-on-the-silicone-prairie-lp","title":"Silicone Prairie - My Life On The Silicone Prairie LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDirect from Kansas City and encased in a layer of four-track analog glory comes the debut album from Silicone Prairie. You may have enjoyed Ian Teeple in action with Warm Bodies or The Natural Man Band, though Silicone Prairie is where Teeple has been focusing his solo creative energies over the past couple years, culminating in these 13 tracks. A trebly \u0026amp; jittery, landlocked Midwestern punk sound comes into effect straight out of the gate, much in the lineage of Gulcher's 'Red Snerts' comp or the Dow Jones side of 'Hoosier Hysteria' - with a dash of hardcore DEVO or even D.L.I.M.C. thrown in for contemporary spuds. But there's far more to Silicone Prairie - with quantitatively great songwriting and instrumentation bursting any preconceived sub-subgenre bubbles and occupying a kindred creative plain that made just about any Mould, Kirkwood, or Sage composition of the mid-80's oh so delightful \u0026amp; memorable. Heck, there's even a synth-heavy instrumental dedicated to electronic pioneer Patrick Cowley. 'My Life on the Silicone Prairie' dances across the sonic spectrum, from bedroom jangle to basement devolution, carrying big guitars, sharp synthesizers, and a hopeful grin into 2021 and beyond. A carefully crafted debut alive with the kind of creative rock'n'roll energy that simply cannot be quarantined, now or ever.\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39274067984457,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/733102719128_main.jpg?v=1615574527"},{"product_id":"the-dead-goldfish-ensemble-fishy-tails-lp","title":"The Dead Goldfish Ensemble - Fishy Tails LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by Kraftwerk's \"Autobahn,\" Southampton-based musician Steve Hartwell, aka The Dead Goldfish Ensemble, started to craft his own music in 1983 using sequencers and the MSX computer, which could be said as the first generation of home computers available for music production. Hartwell made a tremendous amount of recordings in his home studio until 1993, reflecting his take on minimalist music of Steve Reich and Philip Glass, it featured strange imaginative polyrhythms and friendly playful melodies that innocently bounce around.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne circumstance that made this possible was the format of cassette tape publication. From the early 1980s to the early 1990s, it was the most inexpensive and easiest way to release works for independent labels and DIY musicians since it allowed them to dub copies at home, all within their production environment. Various labels in Europe, the United States, and Japan offered artists to contribute their works for compilations. As a result, a vast number of cassette tapes were produced around the world. Those releases eventually led the labels to help form some unique local music scenes and communities by connecting enthusiasts through personal contacts. Essentially, since they were international compilations, it\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econtributed hugely to introducing unknown talented artists from each area to the rest of the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartwell released several cassette tapes from his label Peeved Records and also contributed many tracks to multiple different compilations of home-produced music from labels such as Home Produkt (Belgium), Insane Music (Belgium), EE Tapes (Belgium), IRRE Tapes (Germany), Tonspur Tapes (Germany), and others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis record is The DGE's first album released in vinyl format, compiled from those releases from the cassette era.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe cover design is by Yu Yokoyama, featuring the goldfish drawing by Hartwell himself. The sound is digitally mastered by Makoto Oshiro using the original master tape.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA download url for \"Polonia\" is included. This is The Dead Goldfish Ensemble's first album of new material since 2017's \"Alive In Paris\".\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1235717836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/conatala.bandcamp.com\/album\/the-dead-goldfish-ensemble-fishy-tails\"\u003eThe Dead Goldfish Ensemble - Fishy Tails by The Dead Goldfish Ensemble\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39291495776329,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/IMG_1030_1024x1024_2x_c9abe5a1-3610-4690-a86e-e34528c163d9.jpg?v=1617653220"},{"product_id":"samuli-tanner-music-for-1-year-old-samuli-tanner-lp","title":"Samuli Tanner - Music for 1-Year-Old Samuli Tanner LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSamuli Tanner is known for his work in Siihhi, World Bank, Tiiu Helinä and Myttys to name a few. Music for 1-Year-Old Samuli Tanner is the first album released under his own name and was previously released in USA by Sun Ark Recordings in CD format.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow the album is finally released on vinyl and digital format by Fonal Records, Ikuisuus and Peace Files. Music For 1-Year Old Samuli Tanner consists of playful improvised sci-fi compositions and “beats” made with self-built samplers, old tape machines and new computers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSami Pekkola (Oaagaada, Taco Bells) plays tenor saxophone and duduk on the closing track. Cover is a painting by Arsi Keva based on the original CD artwork.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Always cut things out way too soon. Nothing is better than a really catchy hit melody played only once.” – Samuli Tanner\u003c\/span\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1048565031\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ikuisuus.bandcamp.com\/album\/music-for-1-year-old-samuli-tanner\"\u003eMusic for 1-Year-Old Samuli Tanner by Samuli Tanner\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39299615752265,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a1601767335_10.jpg?v=1618620474"},{"product_id":"family-underground-time-of-others-lp","title":"Family Underground - Time Of Others LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll sounds, recording and mixing by Sara C. Czerny \u0026amp; Nicolas F. Kauffmann at S.O.S 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInstruments used were Buchla Easel, guitar, Minikorg 700s, Novation Bass Station, piano, percussion\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecordings from Indonesia (Pejarakan-Bali and Yogyakarta) made by Czerny\/Kauffmann\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited to 150 copies\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a 18 x 14 cm printed photo taken by Francesco Bartoli Avveduti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3895029108\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/laboratoriopalestro.bandcamp.com\/album\/family-underground-time-of-others\"\u003eFamily Underground - Time Of Others by Laboratorio Palestro\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39327573442633,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a3742303670_10.jpg?v=1622220964"},{"product_id":"free-music-quintet-free-music-1-and-2-lp","title":"Free Music Quintet - Free Music 1 and 2 LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eESP-Disk' present a reissue of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFree Music Quintet\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFree Music 1 and 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally released in 1968. Dutch drummer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePierre Courbois\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an early adaptor of free jazz, had previously appeared on ESP-Disk' with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGunter Hampel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMusic from Europe\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) in 1968 and that same year recorded this album in a farmhouse (as shown on the front cover) in the village of Weslum, home of group member \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eErwin Somer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Personnel - \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBoy Raaymakers\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e - trumpet, bugle, percussion; \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePeter Van Der Locht\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e - soprano sax, tenor sax, piccolo flute, percussion; \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eErwin Somer\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e - violin, vibraphone, percussion; \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFerdinand Rikkers\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e - bass, percussion; Pierre Courbois - percussion, leader; \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eOnno Scholtze\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e: producer, engineer; Recorded in Welsum, Netherlands on June 24 and 25, 1968.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOne of the most uncompromising free jazz records ever made, this one-off improvisation by a group of Dutch players, led by percussionist Pierre Courbois, is an archetype of the style. Free jazz doesn't just require a lot of unrestrained blowing and freeform noise, although there are passages of that here. The two lengthy improvs build from placid beginnings, as each member adds various percussion instruments to the growing cacophony, before reedsman Peter Van Der Locht (at times playing two saxes at once á la\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRahsaan Roland Kirk\u003c\/b\u003e) and trumpeter Boy Raaymakers let loose. All five players get their chances to lead the quintet, although there's a minimum of soloing. Courbois drives both improvs, and there's a five-minute stretch starting about seven minutes into 'Free Music Number One' where he simply explodes, bashing a trap kit and a variety of other objects like the cartoon\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTasmanian Devil\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eon a dozen espressos, armed with a pair of baseball bats. There's an impressive sense of dynamics to the improvs, both of which have sections of near-silence mixed in with the explosions, and there's a structural unity to each improv despite the lack of musical themes or other familiar signposts\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\" --\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStewart Mason\u003c\/b\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39337640656969,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/ESPDISK1083LP_CU.jpg?v=1623366274"},{"product_id":"alvin-curran-the-works-lp","title":"Alvin Curran - The Works LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"description\" data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eThe Works\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e-- one of the most famous pieces by brilliant American composer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlvin Curran\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e-- was not created by will and direct purpose but, as the composer himself states, as a \"providential accident\" which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Works\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is \"finally carried off on the wheels of the Berlin U-Bahn.\" Curran -- whose initial training and musical education was as a pianist -- had been living in Roma, Italy, in the mid-70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Works\u003c\/i\u003e. In relearning the piano, a five-note \"motive\" took hold. Added to this was \"a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.\" As the piece expands further the listener will hear \"cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.\" Though\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Works\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas been performed in many incarnations over the years, it's this performance -- captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore -- that is the definitive version, and one of the finest recordings ever made by the celebrated composer.\u003c\/div\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39344046932041,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/WELLE101LP_CU.jpg?v=1624385850"},{"product_id":"peter-j-cox-running-away-with-yourself-lp","title":"Peter J. Cox - Running Away With Yourself LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"It's safe to say that original copies of Peter J. Cox's 'Running Away With Yourself’ LP are scarcer than a kipper with legs. Brinley Farthing, lead archivist with Blaggards Mystic Emporium, reckons it was pressed in a DIY vanity run of 100, with artwork hand-mounted by Cox himself, in the year 1979. In this business, an accurate backstory is everything. And be that as it may, the pickled punters at Dosh as proud to present this cracking reissue in the 3rd decade of the 21st century.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor those unfamiliar, 'Running Away With Yourself' sounds like the results of a Pink Fairies (or Groundhogs) fan who ran face-first into a brick. A one-man wrecking crew, quaffing \u0026amp; cursing the sacred nectar of Rock, one scrumpy pint at a time. You can practically hear the sulfate sizzling on his tongue as this masterpiece shreds your ears. Or as we're fond of saying here, 'bloody-minded wins again'. Pressed in an edition of 250, this blazing solo opus not only keeps good company with the aforementioned influencers but also stands tall alongside compadres such as Ron Warren Ganderton\/Sound Ceremony, Afflicted Man, John The Postman \u0026amp; Legendary Stardust Cowboy. If you think you've heard it all, you haven't. But with this, you’’re one step closer.\"—Seabert Liversausage, for Dosh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Th3aFK7WBQ0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39370226532425,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/60f5ad4b735c2_main.jpg?v=1627519602"},{"product_id":"bill-nace-solo-guitar-2-one-note-lp","title":"Bill Nace - Solo Guitar 2 \/ One Note LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSolo Guitar 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. This year the record, originally released as a now (nearly) extinct cassette, is reissued without it's mysterious and (maybe?) long-lost sibling \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSolo Guitar 1\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Like any good punk demo -- which, both aesthetically and energetically, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSolo Guitar 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is -- the thrill of discovery is made only sweeter by the potential of future discovery). The vinyl release comes a little less than a year after Bill's first 'official' solo record, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBOTH\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which was released by Drag City in May, 2020. The two records don't necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBOTH\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is softened by the warmth and precision of a studio, there's a wildness to \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSolo Guitar 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e which approaches the experience of witnessing Bill perform live. Made up of mostly brief pieces -- songs, practically -- \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSolo Guitar 2\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe. The bulk of Bill's releases are collaborations with other artists, who are drawn to him (at least in part) because he's an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he's on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there's a sense of reaching inward. But where some might meander or navel-gaze, Bill's playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don't always understand -- very moving. Bill isn't interested in micromanaging his listeners' experiences, but he does make room for us. Composer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, 'the slightest difference may lead you to a new creative relationship.' Bill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\" --Margaret Welsh Philadelphia, PA 2021\u003c\/span\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39380534853705,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/OM069LP_CU.jpg?v=1628637941"},{"product_id":"stefan-christensen-cheap-things-lp","title":"Stefan Christensen - Cheap Things LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCheap Things is the latest record by New Haven guitarist and C\/Site label-owner, Stefan Christensen. It's a challenge to list exactly where Cheap Things numbers in Christensen's extensive catalogue, which at over a decade long has seen him issue countless records under his own name and across both his own imprint and a host of international labels, as well as performing in underground noise trio Center and in the heavenly psych act, Headroom. Crucially and somewhat impressively, his work has remained as singular as it has been productive, cultivating a distinct style of playing that is unmistakably his own even when in collaboration with others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn many regards, Cheap Things represents an apex of the universe Christensen has fostered over the last decade, both collaborative and highly personal. Indeed, many of the key names from the C\/Site and adjacent world contribute to the record in some capacity - David Shapiro (Alexander\/Center\/Headroom), Kyrssi Battalene (Mountain Movers\/Headroom), who takes a lead and has repurposed the final track for Headroom, Ian McColm (Heart Of The Ghost) and Rick Omonte (Mountain Movers\/Headroom) sit in on drums and bass, respectively, while John Miller (formally of Mountain Movers) recorded a couple of the songs at his home studio. Cheap Things is a record labeled with Christensen's name, but it's certainly also one born of community and like-minded creative enquiry, longtime characteristics in his increasingly dense catalogue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the work that comprises this catalogue has always remained engaging, there comes a sense of event with Cheap Things not necessarily present in some of the more off-the-cuff experimental cassette releases issued in both this and past years. This may be in part attributable to the time invested in recording these five songs: starting in mid 2018 and finishing throughout the various periods of lockdown in 2020, this is the longest amount of time Christensen has spent working on a record. Recording itself is an integral aspect of the way in which Christensen creates his sound, relying on the freedom of home studios, the analog limitations of four and eight tracks, and the unique results gained from tape loop manipulations. Such processes add an element of both warmth and spontaneity to the work, though one crucial difference is that much of Christensen's other work is written with, what he calls 'little pre-planning', whereas Cheap Things is defined by a much more precise and pre-formulated vision. The result does feel strangely and more obviously definitive.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a life to these songs beyond their recording, the roots in fact stemming all the way back to Christensen's first solo release in 2015, the record on which the title track first appeared, albeit in rudimentary form. Written in response to the death of a friend from an overdose, Christensen was motivated to re-record the song when hearing that at the start of lockdown another friend from the same circle had died in similar circumstances. Over the years the song has grown in length and intensity, and reaches its ultimate form here, an acoustic drone that pulses with a near-spiritual reverie. It's fitting testament to the people it commemorates, and sets the tone for the remainder of Cheap Things, which through its unique melding of folk, noise, experimental and avant blues traditions appears to provide a cathartic release from the various experiences of grief, illness and stress. Much like the music of Tomokawa Kazuki, Mikami Kan and Neil Young, who have informed the album in various ways, the intent here seems to be to communicate big ideas with modest means. Cheap Things, then, is unusually titled, if not expressing the infinite and the eternal, at least suggesting that in striving for the bigger ideas we might find truth, or perhaps just some piece there of. \u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eT-S96vTkio\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39387040940105,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/WOE003_SC_COVER_150321_2x_f910acb6-c67b-4d76-9d52-0f73b4e7ed3c.jpg?v=1629233172"},{"product_id":"the-new-me-its-1999-lp","title":"The New Me - It's 1999 LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e𝙸𝚗 𝟷𝟿𝟿𝟿, 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚍𝚒𝚍𝚗’𝚝 𝚎𝚗𝚍 𝚏𝚘𝚛 𝚖𝚘𝚜𝚝 𝚘𝚏 𝚞𝚜, 𝚋𝚞𝚝 𝚏𝚘𝚛 𝙿𝚊𝚞𝚕 𝙱𝚘𝚠𝚕𝚎𝚜, 𝚠𝚑𝚘 𝚍𝚒𝚎𝚍 𝚘𝚏 𝚑𝚎𝚊𝚛𝚝 𝚏𝚊𝚒𝚕𝚞𝚛𝚎. 𝙷𝚎 𝚜𝚙𝚎𝚗𝚝 𝚖𝚘𝚜𝚝 𝚘𝚏 𝚑𝚒𝚜 𝚕𝚒𝚏𝚎 𝚒𝚗 𝚃𝚊𝚗𝚐𝚒𝚎𝚛; 𝚋𝚞𝚝 𝚑𝚒𝚜 𝚊𝚜𝚑𝚎𝚜 𝚠𝚎𝚛𝚎 𝚜𝚎𝚗𝚝 𝚝𝚘 𝚞𝚙𝚜𝚝𝚊𝚝𝚎 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔. 𝙷𝚒𝚜 𝚠𝚒𝚏𝚎 𝙹𝚊𝚗𝚎 𝚍𝚒𝚎𝚍 𝚖𝚊𝚗𝚢 𝚢𝚎𝚊𝚛𝚜 𝚎𝚊𝚛𝚕𝚒𝚎𝚛 𝚒𝚗 𝙼á𝚕𝚊𝚐𝚊, 𝚂𝚙𝚊𝚒𝚗 𝚊𝚗𝚍 𝚑𝚎𝚛 𝚋𝚘𝚍𝚢 𝚓𝚞𝚜𝚝 𝚜𝚝𝚊𝚢𝚎𝚍 𝚝𝚑𝚎𝚛𝚎. 𝙼𝚊𝚢𝚋𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚢𝚎𝚊𝚛𝚜 𝚜𝚒𝚗𝚌𝚎, 𝚑𝚒𝚜 𝚊𝚜𝚑𝚎𝚜 𝚑𝚊𝚟𝚎 𝚏𝚕𝚘𝚊𝚝𝚎𝚍 𝚝𝚘 𝚋𝚎 𝚗𝚎𝚊𝚛 𝚑𝚎𝚛.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e𝙹𝙵𝙺 𝙹𝚛.’𝚜 𝚑𝚎𝚊𝚛𝚝, 𝚘𝚗 𝚝𝚑𝚎 𝚘𝚝𝚑𝚎𝚛 𝚑𝚊𝚗𝚍, 𝚠𝚊𝚜 𝚏𝚒𝚗𝚎 𝚞𝚗𝚝𝚒𝚕 𝚑𝚎 𝚕𝚘𝚜𝚝 𝚌𝚘𝚗𝚝𝚛𝚘𝚕 𝚘𝚏 𝚑𝚒𝚜 𝚜𝚖𝚊𝚕𝚕 𝚊𝚒𝚛𝚙𝚕𝚊𝚗𝚎 𝚊𝚗𝚍 𝚌𝚛𝚊𝚜𝚑𝚎𝚍 𝚒𝚗𝚝𝚘 𝚝𝚑𝚎 𝚠𝚊𝚝𝚎𝚛. 𝙰𝚕𝚝𝚑𝚘𝚞𝚐𝚑, 𝚝𝚑𝚎 𝚟𝚒𝚜𝚒𝚋𝚒𝚕𝚒𝚝𝚢 𝚠𝚊𝚜 𝚜𝚘 𝚖𝚞𝚛𝚔𝚢 𝚝𝚑𝚊𝚝 𝚒𝚝 𝚠𝚊𝚜 𝚙𝚛𝚘𝚋𝚊𝚋𝚕𝚢 𝚞𝚗𝚌𝚕𝚎𝚊𝚛 𝚠𝚑𝚊𝚝 𝚠𝚊𝚜 𝚜𝚔𝚢, 𝚊𝚗𝚍 𝚠𝚑𝚊𝚝 𝚠𝚊𝚜 𝚠𝚊𝚝𝚎𝚛.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e𝙰𝚝𝚕𝚊𝚜, 𝚝𝚑𝚎 𝚖𝚢𝚝𝚑𝚘𝚕𝚘𝚐𝚒𝚌𝚊𝚕 𝚏𝚒𝚐𝚞𝚛𝚎, 𝚒𝚜 𝚊 𝚐𝚘𝚘𝚍 𝚎𝚡𝚊𝚖𝚙𝚕𝚎 𝚘𝚏 𝚜𝚘𝚖𝚎𝚘𝚗𝚎 𝚠𝚑𝚘 𝚑𝚊𝚜𝚗’𝚝 𝚍𝚒𝚎𝚍, 𝚋𝚞𝚝 𝚒𝚜𝚗’𝚝 𝚛𝚎𝚊𝚕𝚕𝚢 𝚕𝚒𝚟𝚒𝚗𝚐. 𝙴𝚟𝚎𝚛𝚢𝚘𝚗𝚎 𝚔𝚗𝚘𝚠𝚜 𝚝𝚑𝚊𝚝 𝚑𝚎’𝚜 𝚍𝚎𝚜𝚝𝚒𝚗𝚎𝚍 𝚝𝚘 𝚑𝚘𝚕𝚍 𝚞𝚙 𝚝𝚑𝚎 𝚑𝚎𝚊𝚟𝚎𝚗𝚜 𝚏𝚘𝚛 𝚎𝚝𝚎𝚛𝚗𝚒𝚝𝚢, 𝚋𝚞𝚝 𝚠𝚑𝚊𝚝 𝚎𝚕𝚜𝚎 𝚒𝚜 𝚑𝚎 𝚍𝚘𝚒𝚗𝚐? 𝚂𝚞𝚜𝚙𝚎𝚗𝚍𝚎𝚍 𝚒𝚗 𝚑𝚒𝚜 𝚘𝚠𝚗 𝚝𝚒𝚖𝚎? 𝙼𝚊𝚢𝚋𝚎 𝚏𝚘𝚛 𝙰𝚝𝚕𝚊𝚜, 𝚒𝚝’𝚜 𝚊𝚕𝚠𝚊𝚢𝚜 𝟷𝟿𝟿𝟿, 𝚑𝚎’𝚜 𝚊𝚕𝚠𝚊𝚢𝚜 𝚓𝚞𝚜𝚝 𝚍𝚒𝚎𝚍, 𝚊𝚗𝚍 𝚑𝚎 𝚒𝚜𝚗’𝚝 𝚍𝚘𝚒𝚗𝚐 𝚊𝚗𝚢𝚝𝚑𝚒𝚗𝚐 𝚝𝚑𝚊𝚝 𝚑𝚎 𝚠𝚊𝚜𝚗’𝚝 𝚍𝚘𝚒𝚗𝚐 𝚋𝚎𝚏𝚘𝚛𝚎.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e𝙻𝚎𝚜𝚜 𝚖𝚞𝚛𝚔𝚢 𝚝𝚑𝚊𝚗 𝚝𝚑𝚎 𝚜𝚔𝚢 𝚘𝚗 𝚝𝚑𝚎 𝚗𝚒𝚐𝚑𝚝 𝚘𝚏 𝙹𝙵𝙺 𝙹𝚛.'𝚜 𝚌𝚛𝚊𝚜𝚑; 𝚖𝚘𝚛𝚎 𝚜𝚝𝚊𝚋𝚕𝚎 𝚝𝚑𝚊𝚗 𝚝𝚑𝚎 𝚑𝚎𝚊𝚛𝚝 𝚘𝚏 𝙿𝚊𝚞𝚕 𝙱𝚘𝚠𝚕𝚎𝚜, 𝚝𝚑𝚎 𝚜𝚘𝚗𝚐𝚜 𝚘𝚗 𝚝𝚑𝚒𝚜 𝚊𝚕𝚋𝚞𝚖 𝚛𝚎𝚊𝚍 𝚕𝚒𝚔𝚎 𝚊𝚗 𝚊𝚝𝚕𝚊𝚜 𝚒𝚗 𝚝𝚑𝚊𝚝 𝚒𝚝 𝚌𝚊𝚗 𝚋𝚎 𝚙𝚕𝚊𝚢𝚎𝚍 𝚒𝚗 𝚊𝚗𝚢 𝚘𝚛𝚍𝚎𝚛. 𝚃𝚑𝚎 𝚙𝚛𝚎𝚟𝚒𝚘𝚞𝚜 𝚝𝚛𝚊𝚌𝚔 𝚠𝚒𝚕𝚕 𝚊𝚕𝚠𝚊𝚢𝚜 𝚒𝚗𝚏𝚘𝚛𝚖 𝚝𝚑𝚎 𝚗𝚎𝚡𝚝. 𝚃𝚑𝚎𝚢’𝚛𝚎\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e𝚋𝚎𝚊𝚞𝚝𝚒𝚏𝚞𝚕 𝚘𝚗 𝚝𝚑𝚎𝚒𝚛 𝚘𝚠𝚗, 𝚋𝚞𝚝 𝚋𝚎𝚝𝚝𝚎𝚛 𝚝𝚘𝚐𝚎𝚝𝚑𝚎𝚛. 𝚃𝚑𝚎𝚢 𝚜𝚘𝚞𝚗𝚍 𝚐𝚘𝚘𝚍 𝚘𝚗 𝚊 𝚜𝚑𝚒𝚝𝚝𝚢 𝚌𝚘𝚖𝚙𝚞𝚝𝚎𝚛 𝚜𝚙𝚎𝚊𝚔𝚎𝚛, 𝚠𝚑𝚎𝚝𝚑𝚎𝚛 𝚢𝚘𝚞’𝚟𝚎 𝚋𝚎𝚎𝚗 𝚒𝚜𝚘𝚕𝚊𝚝𝚒𝚗𝚐 𝚏𝚘𝚛 𝚜𝚎𝚟𝚎𝚛𝚊𝚕 𝚖𝚘𝚗𝚝𝚑𝚜 𝚘𝚛 𝟸𝟸 𝚢𝚎𝚊𝚛𝚜.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“𝙸 𝚘𝚗𝚕𝚢 𝚊𝚌𝚑𝚒𝚎𝚟𝚎 𝚜𝚒𝚖𝚙𝚕𝚒𝚌𝚒𝚝𝚢 𝚠𝚒𝚝𝚑 𝚎𝚗𝚘𝚛𝚖𝚘𝚞𝚜 𝚎𝚏𝚏𝚘𝚛𝚝,” 𝚜𝚊𝚢𝚜 𝙲𝚕𝚊𝚛𝚒𝚌𝚎 𝙻𝚒𝚜𝚙𝚎𝚌𝚝𝚘𝚛’𝚜 𝚗𝚊𝚛𝚛𝚊𝚝𝚘𝚛 𝚒𝚗 𝚃𝚑𝚎 𝙷𝚘𝚞𝚛 𝚘𝚏 𝚝𝚑𝚎 𝚂𝚝𝚊𝚛. 𝚆𝚑𝚊𝚝’𝚜 𝚖𝚘𝚛𝚎 𝚌𝚘𝚖𝚙𝚕𝚎𝚡 𝚝𝚑𝚊𝚗 𝚝𝚠𝚘 𝚙𝚎𝚘𝚙𝚕𝚎 𝚝𝚛𝚢𝚒𝚗𝚐 𝚝𝚘 𝚊𝚌𝚑𝚒𝚎𝚟𝚎 𝚘𝚗𝚎 𝚜𝚒𝚖𝚙𝚕𝚎 𝚝𝚑𝚒𝚗𝚐? 𝙵𝚕𝚢𝚒𝚗𝚐 𝚏𝚛𝚘𝚖 𝚙𝚘𝚒𝚗𝚝 𝙰 𝚝𝚘 𝚙𝚘𝚒𝚗𝚝 𝙱, 𝚍𝚢𝚒𝚗𝚐 𝚒𝚗 𝚝𝚑𝚎 𝚜𝚊𝚖𝚎 𝚙𝚕𝚊𝚌𝚎, 𝚖𝚊𝚔𝚒𝚗𝚐 𝚖𝚞𝚜𝚒𝚌.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e𝙻𝚒𝚔𝚎 𝙰𝚝𝚕𝚊𝚜 𝚑𝚘𝚕𝚍𝚒𝚗𝚐 𝚞𝚙 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍, 𝙹𝙵𝙺 𝙹𝚛. 𝚜𝚙𝚒𝚛𝚊𝚕𝚒𝚗𝚐 𝚍𝚘𝚠𝚗 𝚒𝚗𝚝𝚘 𝚒𝚝, 𝚘𝚛 𝚝𝚑𝚎 𝚍𝚒𝚜𝚝𝚊𝚗𝚌𝚎 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝙿𝚊𝚞𝚕 \u0026amp; 𝙹𝚊𝚗𝚎 𝙱𝚘𝚠𝚕𝚎𝚜 – 𝚒𝚝 𝚝𝚊𝚔𝚎𝚜 𝚊 𝚕𝚘𝚝 𝚘𝚏 𝚎𝚏𝚏𝚘𝚛𝚝 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚜𝚎𝚎𝚖 𝚝𝚑𝚒𝚜 𝚎𝚏𝚏𝚘𝚛𝚝𝚕𝚎𝚜𝚜.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- 𝙼𝚊𝚒𝚊 𝙰𝚜𝚜𝚑𝚊𝚚\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=557491273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nostilevo.bandcamp.com\/album\/its-1999\"\u003eIT'S 1999 by THE NEW ME\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39387066925129,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/a1987584012_10.jpg?v=1629237612"},{"product_id":"graham-lambkin-poem-for-voice-tape-lp","title":"Graham Lambkin - Poem (For Voice \u0026 Tape) LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eGraham Lambkin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's first solo release, and the premiere record of his then newly-formed label Kye, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePoem (For Voice \u0026amp; Tape)\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Kye, 2001) captures his \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eShadow Ring\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e bandmate, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTim Goss\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, as he recites verses of his own poetry. Pitched against the steady trickle of Lambkin's shower faucet (a nod to field recording artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMoniek Darge\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \"Rain\") and a low, persistent drone, Goss's voice is slowed, warped, and stretched. With this simple manipulation, Lambkin unravels the human voice, pushing language to a point beyond legibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MS4tHX4qUd4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39390093803593,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/BF019LP_CU.jpg?v=1629501949"},{"product_id":"zachary-james-watkins-ross-peacock-acid-escape-vol-3-lp-ltd-version","title":"Watkins \/ Peacock - Acid Escape Vol. 3 LP (LTD version)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edeeper and furthur ))))))))\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eW\/P are an electronic analog-digital hybrid duo, working in an improvisational frame that births a new possibility of tone, rhythm and light. dub moves in synthed atmospheres with joyful, entrancing melodies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003enew album - acid escape vol 3 with small-run vinyl release via freaks records (oakland).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471744393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/freakslabel.bandcamp.com\/album\/acid-escape-vol-3\"\u003eAcid Escape Vol. 3 by Watkins \/ Peacock\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39413960048713,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/WP_ACIDESCAPE3_DIGI_COV_OFFICIAL.png?v=1632523004"},{"product_id":"claypipe-sky-wells-lp","title":"Claypipe - Sky Wells LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter seven years New Zealand’s Claypipe return with a new full-length album, Sky Wells. Claypipe was formed in the early 2000s when, after years of record trading, North Islander Antony Milton and South Islander Clayton Noone came together. Their musical chemistry was immediate and a slew of excellent cassettes, CDs and lathe cuts followed. They carved out a niche with a sort of pastoral psychedelia that brought to mind the forest as much the sea, the acoustic guitar as much the battery powered amplifier This earlier work culminated with their debut album A Daylight Blessing being released on MIE Music in 2014.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWork for Sky Wells began back in 2015 at the kitchen table of Noone’s home in Dunedin, his daughter Olive and her cartoons can be heard bleeding into these tracks, giving them a dreamy and surreal feel. Much of Sky Wells contains this quality; tactile percussive croaks find equal space with pulsing drones, haunted vocal moans and tape hiss saturated psychedelics. The album is harnessed in a sort of delicate balance. Despite the other worldliness of most sounds on songs like “Jericho” and “I Want To Run With The Trees,” reality remains intact with the simple pluck of an acoustic guitar or the definitive human-ness of repetitious spoken vocals. Even further balance is struck with the incorporation of utterly catchy songwriting. Sky Wells is bookended by “Colours, Dreams and Food” and “Bomb Lover,” which along with “Ultimate Violence” help to draw a connection to their homelands’ Flying Nun lineage - through a truly experimental lens, of course.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough Milton and Noone are accomplished solo artists and seasoned collaborators it is their union in Claypipe where they shine the brightest. As a duo they capture a special sense of place and time that is uniquely their own. While their music is steeped in New Zealand experimentalism, it never loses sight of the craft and songwriting where much of the country's tradition first began to take shape. This connection to tradition while still pushing to what lies beyond is perhaps best summed up by Milton himself as music that “evokes a sense of the landscape, but more the landscape of dreams than of actuality.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2931565270\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/csiterecordings.bandcamp.com\/album\/sky-wells\"\u003eSky Wells by Claypipe\u003c\/a\u003e\u003c\/iframe\u003e","brand":"digitalregress","offers":[{"title":"Default Title","offer_id":39424189628489,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1747\/8783\/products\/Sky_Wells_Cover.jpg?v=1634060736"}],"url":"https:\/\/digitalregress.com\/collections\/lps.oembed?page=8","provider":"digitalregress","version":"1.0","type":"link"}