New Zealand-born sound artist and composerAnnea Lockwoodreceived formal training at various institutions before exploring the sonorous potential of glass in a series of performances in the late 1960s. With plates of wired glass, glass discs, chunks of green cullet glass, glass tubing, sheets of micro-glass, glass jars and other incarnations of the material,Lockwoodelicited a staggering array of sounds, some subtly uncanny and others as outlandish and alien as anything emitted from the era's early synthesizers.
Lockwood's glass concerts yielded a text-score published in Northern California new-music journalSource: Music of the Avant-Gardeand attracted the attention of South African producer Michael Steyn, who encouraged her to record the glass pieces for his label Tangent. They worked for two years in a small, resonant church in London to document a veritable catalogue of the materials' tone and timbre;Lockwoodwished to present each sound as if it were a piece of music in and of itself.Glass Worldoriginally appeared on Tangent in 1970.
"I wanted to entice people into really listening intensively,"Lockwoodonce reflected. "Into really listening. I wanted a deep immersion in the sounds of themselves, for the audience."
First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl.